Decorative Finish: Rusted Steel with Rivets

Rusted Steel With Rivets by Arteriors
DECORATIVE FINISH HOW-TO

Rusted Steel with Rivets

Artist: Arteriors

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INSTRUCTIONS:

Introduction: Choose this finish if you are looking for a “WOW” surface design with an industrial chic appeal. The Golden Paintworks products used create an extremely realistic faux rusted steel finish. Because the results are fairly easy to achieve, this is both fun to do and to show!

1 | Prime and then base coat with flat black acrylic house paint. Allow to dry completely.
(Photo 1)

2 | Trowel over black base coat with the Metallic Texture Pearl Base tinted to a color similar to Benjamin Moore Whale Grey 2134-40. You can have it tinted by your local Golden Paintworks retailer or use either the Metallic Textures Pre-Tinted Silver Mule or Wrought Iron colors. If you are not an experienced Metallic Texture applicator, refer to Golden Paintworks instructional video for Metallic Texture on their website. Let dry. Repeat this step over the first Metallic Textures trowel base, using the same tinted Metallic Texture Pearl Base. Let dry completely.
(Photos 2-4)

3 | Mix or have tinted three containers of flat acrylic house paint in these Benjamin Moore colors: Rustic Brick 2091-20, Grizzly Brown Bear 2111-20 and Bronze Tone 2166-30. Mix one part Rustic Brick with one part Clear Topcoat Dead Flat. Very small amounts are needed.
(Photo 5)

Pour a small amount, approximately 1/8 cup of the rust color onto a flat surface and tap one side of damp sea sponge into the wet paint. Apply one color at a time using the sea sponge. Tap an organic, random pattern over the surface, leaving approximately 50% of open areas. Put very little paint on the sea sponge, using only one side of the sponge. Don’t overdo it. Soften immediately with the back, clean side of the sponge. Rinse sea sponge in water, wring out and apply second and third colors in the same manner, softening each color as you go. Repeat until they look like rust spots.
(Photos 6-7)

 

4 | Dry brush by dipping the tip of a paint brush into the Pre-Mixed Metallic Paint Pewter and brushing excess paint off onto a cotton rag. Then lightly brush over entire surface in crisscross brushstrokes. Err on the side of less with this step so as not to bury the rust colors.
(Photos 8-9)

5 | Establish where your source of light is coming from to create the trompe l’oeil rivets and sheet metal edges. In our case, it’s coming from the top right. All shadow is going to go away from the light to bottom left. We will call the top right the light side and the bottom left the shadow side. Using a straight edge level, draw in pencil where your seams between the metal sheets are going to be.
(Photo 10)

With a pointed artist brush, paint over the pencil marks in the flat black paint. While the black painted line is still wet, soften with a damp rag on the shadow side.
(Photo 11)

6 | Use a rivet stencil with ¾” diameter circles on one line, 1 ½- 2″ apart, or draw and cut your own stencil pattern from mylar. Place the stencil of the row of circles approximately 1 ½” distance from the seam and parallel to the seam. Hold the stencil in place with the low-tack painter’s tape.
(Photo 12)

Pour a small amount of the flat black paint used for the base coat onto a flat surface. Dab a stencil brush or piece of upholstery foam into the black paint, tap off onto a rag so that application is fairly dry and then dab the applicator over the circular holes until they are solid black. Remove the stencil immediately and while still wet soften the shadow side with a damp rag. Let dry.
(Photo 13)

7 | Place stencil again on the holes. Move the stencil up a little towards the light side. You will see a moon shape inside the stencil. Stencil with the Pre-Mixed Metallic Paint Pewter. Let dry.
(Photo 14)

8 | To create a highlight on the rivet, use a pointed art brush and paint a half moon shape with Pre-Mixed Metallic Paint Bright Silver on the side with the light source. With a damp rag, wipe a bit of the Bright Silver to soften towards the middle of the rivet. Let dry. With an art brush, apply a rivet shadow by painting a half a moon shape with flat black on the shadow side. Soften towards the middle of the rivet. Let dry.
(Photos 15-16)

Here is the completed texture.
(Photo 17)

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About the Artists
Amiel and Stephanie Mesner are a husband-and-wife team of fine artists who turned their love and knowledge of the fine and decorative arts into a company with over thirty-five years of experience, creating custom surface designs for the architectural and interior design industry. Arteriors, based in Natick, MA, handles professional design projects from idea and design creation through to finished application in a versatile, detail-oriented, expert manner. Dedicated to using eco-friendly decorative paint and plaster materials that are not only beautiful when applied, but responsible, Arteriors applies water-based paints and lime-based plasters, such as Venetian plasters, and American clay surface finishes which are safe, natural, and sustainable and can improve indoor air quality. 

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Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: One Thousand Flowers

One Thousand Flowers by Arteriors
DECORATIVE FINISH HOW-TO

One Thousand Flowers

Artist: Arteriors

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PROJECT SUPPLIES:

INSTRUCTIONS:

Introduction: This pattern was inspired by the design technique of Mille Fleur, seen in many European tapestries made during the Renaissance. It’s also a finish that reflects the exquisite beauty of plant-life and the eco-system that it supports. The horizontally combed glass beads add a sparkly “gilded-lily” affect. One Thousand Flowers pattern stencil was designed by us specifically for this Golden Paintworks finish.

1 | Prep, prime, and apply a solid coat of Benjamin Moore Sweet Pea 2031-30 in a matte sheen. Allow to dry completely.
(Photo 1)

2 | Mix one part Glazing Medium with Slow Dry Fluid Acrylics Chromium Oxide Green, Carbon Black, and a bit of Burnt Umber to match Benjamin Moore Hunter Green, #2041-10. Add a little water and mix so that it is the consistency of whole milk.
(Photo 2)

3 | Dip a damp, but not dripping, sea sponge into the dark green and tap onto the light green base coat in large shapes, covering only about 1/3 of the area.
(Photo 3)

4 | Mix another container of Glazing Medium with enough water to make a half and half cream consistency. With a large 3″ brush, swish over the sponged areas with the Glazing Medium to soften and blend the dark green glaze.
(Photo 4)

Allow to dry completely, and repeat step 2 two or three times more. Allow to dry completely.
(Photo 5)

5 | Water down the Pre-Mixed Metallic Paint Vintage Brass a little so that it is the same consistency as half and half cream. (Photo 6)

Apply it over the dark green finish in haphazard strokes with a large 3″ brush, covering about 1/3 of the area.
(Photo 7)

Tap gently with a clean damp sponge over the bronze brushstrokes. Allow to dry slightly, but not completely. Use a blow dryer to speed the partial drying process. With a damp sponge or damp cotton rag, gently wipe across the grain of the brushstrokes to remove some of the bronze paint, leaving an organically distressed appearance.
(Photo 8)

Rub harder depending on how dry the metallic paint has become. Allow to dry completely, approximately 24 hours.
(Photo 9)

6 | Apply your preferred floral stencil. The one we are using is a low-tack adhesive stencil. If using a mylar stencil, secure it with low-tack painter’s tape. Using a piece of upholstery foam with a flat section or a stencil brush, tap the Benjamin Moore Sweet Pea 2031-30 over the entire stencil as a base. Tap the brush or foam on a rag after loading with paint so that the application is fairly dry. Keep pouncing the light green over the stencil so that everything has had at least one layer. Leave this application to be un-even so that the over-all look will have a dappled-light affect. Allow to dry completely.
(Photo 10)

7 | Make the second stencil color by mixing one part Clear Top Coat Dead Flat with one part Slow Dry Fluid Acrylic Yellow Oxide. Make the third stencil color by mixing the same ratio Clear Top Coat Dead Flat and Slow Dry Fluid Acrylic Chromium Oxide Green.
(Photo 11)

8 | Stencil over everything with both colors, blending one color into the other to create a multi-layered, natural appearance.
(Photo 12)

If using a mylar stencil, remove the stencil immediately and let dry. If using a low-tack stencil, allow to dry completely for 24 hours, and then peel off the stencil to reveal the artwork.
(Photo 13)

9 | Mix eight parts Glass Bead Gel XL with one part water.
(Photo 14)

With a metal or plastic trowel, apply an even, flat coat over the entire surface.
(Photo 15)

With a notched rubber squeegee or a combing tool, apply pressure and drag horizontally across the surface, wiggling the tool as much as you desire. With a small rubber spatula, scrape the comb into a container to be re-used. Scoop up excess glass bead gel at the end of your drag, being careful not to bump into the finished drag section. Place the end of your tool to overlap 1″ of the previous section and drag next section. Repeat until wavy lines are done.
(Photo 16)

10 | Using a rubber subtractive tool, or the end of an artist paint brush covered in a damp rag, drag through any sections that are filled in solid. Allow to dry completely, approximately 10 hours.
(Photo 17)

Here is the final texture.
(Photo 18)

IMPORTANT NOTE: Clean up the Glass Bead Gel tools with soap and water in a separate bucket. Strain through a sieve or put clean-up water in a lidded container to throw out. Do not pour down the sink!

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About the Artists
Amiel and Stephanie Mesner are a husband-and-wife team of fine artists who turned their love and knowledge of the fine and decorative arts into a company with over thirty-five years of experience, creating custom surface designs for the architectural and interior design industry. Arteriors, based in Natick, MA, handles professional design projects from idea and design creation through to finished application in a versatile, detail-oriented, expert manner. Dedicated to using eco-friendly decorative paint and plaster materials that are not only beautiful when applied, but responsible, Arteriors applies water-based paints and lime-based plasters, such as Venetian plasters, and American clay surface finishes which are safe, natural, and sustainable and can improve indoor air quality. 

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Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Blue Marble Finish

Blue Marble Finish by Arteriors
DECORATIVE FINISH HOW-TO

Blue Marble Finish

Artist: Arteriors

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PROJECT SUPPLIES:

INSTRUCTIONS:

Introduction: Blue Marble Finish is a decorative homage to Planet Earth, one that appears like a blue marble from outer space. This finish is a lot like lasagna; there are lots of steps, and if you follow them well you can’t go wrong. And who doesn’t like polka dots or blue marbles?

1 | Prep, prime, and apply a solid coat of Benjamin Moore Rocky Mountain Sky 2066-40 in a matte sheen. Allow to dry completely.
(Photo 1)

2 | Mix one part Glazing Medium with one part Slow Dry Fluid Acrylic Carbon Black. Add a little water and mix so that it is the consistency of whole milk. Paint over the Rocky Mountain Sky base in loose brush strokes, leaving lots of open spaces. Subtract the black glaze with a damp sea sponge by tapping over the wet paint and “smooshing” it into open areas, leaving an organic black and blue broken surface. Let dry. Use a blow dryer to speed up the drying process.
(Photos 2-3)

3 | Using the same subtractive technique as in Step 2, apply Pre-Mixed Metallic Paint Pewter over the blue and black finish. Water down the metallic paint a little so that it is the same consistency as half and half cream. Allow to dry, using a blow dryer to speed up the drying process. Repeat this step using the same metallic paint, or if you would like a lighter background use the Metallic Paint Tint Base Pearl. Allow the background to dry thoroughly, preferably 12 hours.
(Photos 4-6)

 

4 | Create your own stencil from mylar, which can be found in art stores, or purchase a polka dot pattern from a stencil company. The one we are using is a low-tack adhesive stencil. Apply the stencil to the surface, following instructions from the stencil company. If this will be an all-over stencil covering entire walls, we suggest using stencils specifically for all-over applications that have registration marks so that pattern can be repeated seamlessly over the entire surface. After the stencil is adhered, use a damp but wrung out upholstery foam to apply satin white paint in a mottled way, and not completely solid. Let dry.
(Photos 7-8)

5 | Tint Glazing Gel with Slow Dry Fluid Acrylics Phthalo Green (Yellow Shade), Phthalo Blue (Green Shade), and Ultramarine Blue. Ensure the individual colors are opaque but that they don’t overpower the Glazing Gel.
(Photos 9-12)

6 | Using the three color gels, apply with flat sections of upholstery foam, or with a stencil brush over the stencil. Dab the loaded foam or stencil brush on a paper towel before stenciling so the paint goes on the surface fairly dry. Create an ombre effect by blending bands of the three colors together. Keep these colors wet for the next step.
(Photo 13)

7 | While these colors are still wet, use a damp sea sponge to pounce and twist over the stenciled dots, subtracting bits of color, and revealing some of the original dark and white undercoat.
(Photo 14)

8 | Once the blue and green paint layers dry, remove
the stencil.
(Photo 15)

9 | OPTIONAL: Repeat Step 2 over the stenciled dots and background, but reduce the coverage by approximately half. While this layer is still wet, wrap a couple layers of a damp cotton rag around your index finger and wipe off the centers of the dots, moving the rag to a clean section every two or three dots.
(Photos 16–18)

Here is the finalized texture.
(Photo 19)

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About the Artists
Amiel and Stephanie Mesner are a husband-and-wife team of fine artists who turned their love and knowledge of the fine and decorative arts into a company with over thirty-five years of experience, creating custom surface designs for the architectural and interior design industry. Arteriors, based in Natick, MA, handles professional design projects from idea and design creation through to finished application in a versatile, detail-oriented, expert manner. Dedicated to using eco-friendly decorative paint and plaster materials that are not only beautiful when applied, but responsible, Arteriors applies water-based paints and lime-based plasters, such as Venetian plasters, and American clay surface finishes which are safe, natural, and sustainable and can improve indoor air quality. 

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Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Mosaic Gold Leaf

Mosaic Gold Leaf by Aliya Riaz
DECORATIVE FINISH HOW-TO

Mosaic Gold Leaf

Artist: Aliya Riaz

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PROJECT SUPPLIES:

INSTRUCTIONS:

1 | Base a coat of primer and let dry. Using a trowel apply an even layer of Soapstone and allow to dry. I like using Soapstone when I need a non-absorbent smooth surface with a flat finish.
(Photos 1-2)

2 | Tint the Venetian Plaster with enough Slow Dry Fluid Acrylic Carbon Black to make an agreeable shade of light gray. Remember that the plaster will dry about 30% lighter. As a reference guide the wet plaster can be matched to Benjamin Moore Silver Lake 1598 or Sherwin-Williams March Wind 7668.
(Photo 3)

3 | Spray the repositionable adhesive over the back of the stencil and allow to dry for a few minutes. Now position the Mosaic & Leaf Stencil over the Soapstone and push the tinted Venetian plaster evenly through the pattern.
(Photo 4)

4 | Remove the stencil carefully and clean. Allow the tinted Venetian Plaster to dry for at least 6-8 hours. Burnish the dried Venetian plaster using a stainless steel trowel placed at a low angle to bring a soft sheen to the plaster.
(Photo 5)

5 | Use the repositionable adhesive behind the second layer of the leaf stencil. Allow to dry for a few minutes before positioning the stencil over the mosaic pattern. Using the blade, push Soapstone into the leaf shapes. Remove the stencil and allow to dry.
(Photo 6)

6 | Using a small artist’s brush, apply the water based size to the now dry leaf shapes.
(Photo 7)

7 | When the size reaches tack (follow the manufacturer’s instructions) apply the Dutch Metal Leaf to the sized leaves.
(Photo 8)

8 | Rub the leaf with a soft muslin cloth and remove any skewing that may have got caught in the “grout”. Here is the finalized texture.
(Photo 9)

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About the Artist
Aliya Riaz is the creative force behind Portfauxlio Inc. She started the company in New Jersey in 2000 with the firm conviction that a great service backed by trust, accountability and putting clients first would gain a foothold in an often haphazard industry. Portfauxlio Inc. has built a reputation for excellence, integrity and unsurpassed designs. Aliya creates signature custom finishes for surfaces to meet the color and design preferences of her clients. These hand painted or applied finishes include authentic plasters and textures, faux marbles, exotic wood grains, gilding, decorative patterns, gorgeous glazes and custom hand painted wallpapers. 

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Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Karla’s Stripe

Karlas Stripe by Aliya Riaz
DECORATIVE FINISH HOW-TO

Karla's Stripe

Artist: Aliya Riaz

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PROJECT SUPPLIES:

INSTRUCTIONS:

1 | Base a coat of primer and let dry. Apply a layer of Metallic Texture Tint Base Pearl with a spatula or blade. Run a stiff brush through the texture to mimic the look of grass cloth. Allow to dry.
(Photos 1-2)

2 | Mix equal parts of the Slow Dry Fluid Acrylic Phthalo Green and the Phthalo Blue and cover the ribbed texture using a chip brush. Make enough paint mixture to use in the next step. Let dry.
(Photo 3)

3 | Using the grasscloth pattern as a guide, measure out the stripes as you’d like, in the opposite direction of the grasscloth pattern. Tape them off. Then, mix together equal amounts of the Glass Bead Gels, glitter and enough of the leftover Slow Dry Fluid Acrylic mixture from Step 1 to a workable consistency.
(Photo 4)

4 | Using a small blade, pick up the Glass Bead Gel mix with a blade and apply it evenly within the taped stripes. This figure shows the just applied wet glass bead gel mixture. Remove tape as soon as possible. Allow to dry for at least 8 hours.
(Photo 5)

Here is the final finish.
(Photo 6)

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About the Artist
Aliya Riaz is the creative force behind Portfauxlio Inc. She started the company in New Jersey in 2000 with the firm conviction that a great service backed by trust, accountability and putting clients first would gain a foothold in an often haphazard industry. Portfauxlio Inc. has built a reputation for excellence, integrity and unsurpassed designs. Aliya creates signature custom finishes for surfaces to meet the color and design preferences of her clients. These hand painted or applied finishes include authentic plasters and textures, faux marbles, exotic wood grains, gilding, decorative patterns, gorgeous glazes and custom hand painted wallpapers. 

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Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Gilded Breccia

Gilded Breccia by Aliya Riaz
DECORATIVE FINISH HOW-TO

Gilded Breccia

Artist: Aliya Riaz

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PROJECT SUPPLIES:

INSTRUCTIONS:

1 | Base a coat of primer and let dry. Apply a heavy coat of untinted Soapstone using a trowel or a flat blade spatula. Immediately make grooves into the Soapstone with a V-notched scoring tool. Allow drying time of at least 8 hours.
(Photos 1-3)

2 | Roll or brush on a coat of Pre-Mixed Metallic Paint Just Brass. Upon drying, apply the size with a brush ensuring you get the product into the grooves. You’re looking for 100% coverage. Follow the manufacturer’s directions for the proper tack time to setup.
(Photo 4)

3 | Start cutting up the Shaibin leaves in organic shapes and apply on to the size that has had a chance to set up. Distribute the tamisé flakes in between the three different kinds of Schaibin.
(Photo 5)

4 | After you are happy with the placement of the Schaibin, rub off the excess leaf with a soft cloth. The resulting skewings will cover any skips or “holidays” that you may have missed while laying down the leaf.
(Photo 6)

OPTIONAL: The resulting finish can be sealed immediately using a premium brand oil-based polyurethane sealer in a clear gloss finish. If you choose not to use the sealer, this finish acquires a lovely natural patina but should not be exposed to water.

Here is the final finish.
(Photo 7)

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About the Artist
Aliya Riaz is the creative force behind Portfauxlio Inc. She started the company in New Jersey in 2000 with the firm conviction that a great service backed by trust, accountability and putting clients first would gain a foothold in an often haphazard industry. Portfauxlio Inc. has built a reputation for excellence, integrity and unsurpassed designs. Aliya creates signature custom finishes for surfaces to meet the color and design preferences of her clients. These hand painted or applied finishes include authentic plasters and textures, faux marbles, exotic wood grains, gilding, decorative patterns, gorgeous glazes and custom hand painted wallpapers. 

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Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Be Square

Be Square by Aliya Riaz
DECORATIVE FINISH HOW-TO

Be Square

Artist: Aliya Riaz

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PROJECT SUPPLIES:

INSTRUCTIONS:

1 | Base a coat of primer. After the coat of primer has dried, use a trowel or blade spatula to apply an even layer of untinted Soapstone for some underlying texture. Let dry.
(Photos 1-2)

2 | Using good quality tape, tape off 4″ squares. Mark each square with arrows pointing north and west using a watercolor pencil.
(Photo 3)

3 | Mix the Slow Dry Fluid Acrylic Phthalo Blue (Green Shade) and Phthalo Green (Yellow Shade) into Metallic Paint Tint Base Pearl to match it to the metallic blue color being used in this technique. Take this color and Metallic Paint Tint Base Gold and apply dots of both colors in roughly equal proportions in each square.
(Photo 4)

4 | Using the 5″ blue blade spatula, gently run it over the surface to disperse the two colors in a linear direction.
(Photo 5)

5 | Alternating squares should follow two different linear directions — one going up and one sideways.
(Photo 6)

6 | Tape off the individual squares you are working on. Brush on a thin layer of the water based size in all the remaining white areas. Following the manufacturer’s directions, wait for the required time for size to tack up. It’s usually around 20 minutes.
(Photo 7)

7 | Sprinkle the metallic powder over the size. Using a mop brush, distribute the powder. The size will adhere to it quickly.
(Photo 8)

8 | Remove the excess, which can be reused. Clean the surface repeatedly with a soft cloth until no powder remains on the surface. 

TIP: This finish should be used in small areas or on furniture.

Here is the final finish.
(Photo 9)

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About the Artist
Aliya Riaz is the creative force behind Portfauxlio Inc. She started the company in New Jersey in 2000 with the firm conviction that a great service backed by trust, accountability and putting clients first would gain a foothold in an often haphazard industry. Portfauxlio Inc. has built a reputation for excellence, integrity and unsurpassed designs. Aliya creates signature custom finishes for surfaces to meet the color and design preferences of her clients. These hand painted or applied finishes include authentic plasters and textures, faux marbles, exotic wood grains, gilding, decorative patterns, gorgeous glazes and custom hand painted wallpapers. 

More from this artist

Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Natural Beauty

Natural Beauty decorative finish
DECORATIVE FINISH HOW-TO

Natural Beauty

Artist: Debbie Hayes

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PROJECT SUPPLIES:

INSTRUCTIONS:

ARTIST NOTE: Scale is everything with this finish. For example, on a focus wall, the scale should be quite large, versus on an art canvas. So adjust the size of the stencil scale accordingly.

1 | Roll on 2 coats of primer. Let dry between coats.

2 | Mix 2 basecoat texture colors in 2 containers. Use approximately 1 part Burnt Sienna to 10 parts Weathered Granite, then 1 part Red Oxide for the other. Adjust color as needed.
(Photo 1)

3 | Use a chip brush for each color. Tap on a heavy coat of Red Oxide in artful drifts. Then use the Burnt Sienna mixture to fill in.
(Photo 2)

4 | Let dry for a few minutes. With the stainless steel trowel, knock down the peaks. Some of the white basecoat will show. Let dry.
(Photo 3)

5 | Apply and secure the stencil. Use a Japan trowel to apply the Venetian Plaster, being careful not to let it seep through the design.
(Photos 4-5)

6| Let dry to crackle naturally. Here is the final finish.
(Photo 6)

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About the Artist
Debbie Hayes earned a BA in Fine Arts, concentrating on painting, and has spent 95% of her career as a full-time artist. She is a book illustrator, graphic artist, art director, photographer, stylist, website designer, writer, faux finisher for 20 years, and DIY tutorial blogger. Many decorative painters know her from events like the annual ArtFusion Event and IDAL Decorative Artisans League where she has been an instructor, teaching various faux finishing techniques using the products and stencils she loves most.

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Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Fireworks

Fireworks decorative finish
DECORATIVE FINISH HOW-TO

Fireworks

Artist: Debbie Hayes

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PROJECT SUPPLIES:

INSTRUCTIONS:

ARTIST NOTE: Scale is everything with this finish. For example, on a focus wall, the scale should be quite large, versus on an art canvas. So adjust the size of the stencil scale accordingly.

1 | Roll on 2 coats of primer. Let dry between coats.

2 | Tint the Soapstone quart with 2 ounces of universal black tint and mix. (I took my quart to a local paint store.) Trowel on 2 coats of the mix. Let dry between coats.
(Photo 1)

3 | Position the stencil, then tape down. Use a stencil brush to tap on a thin coat of WundaSize. Let come to tack. Remove the stencil.
(Photo 2)

4 | Place one color of foil on top of the WundaSize. Use the Robert rubber metal brush tool to burnish the stenciled area. Remove the foil. Repeat 2 more times, using the other 2 colors of foil. I’ve used one foil color per stencil here.
(Photos 3-4)

5 | Move the stencil around, overlapping the foil patterns, and tap on the Penny and Vintage Copper Metallic Paints with the stencil brush.
(Photos 5 and 6)

Here is the final finish.
(Photo 7)

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About the Artist
Debbie Hayes earned a BA in Fine Arts, concentrating on painting, and has spent 95% of her career as a full-time artist. She is a book illustrator, graphic artist, art director, photographer, stylist, website designer, writer, faux finisher for 20 years, and DIY tutorial blogger. Many decorative painters know her from events like the annual ArtFusion Event and IDAL Decorative Artisans League where she has been an instructor, teaching various faux finishing techniques using the products and stencils she loves most.

More from this artist

Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.

Decorative Finish: Back to Nature

Back To Nature decorative finish
DECORATIVE FINISH HOW-TO

Back to Nature

Artist: Debbie Hayes

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PROJECT SUPPLIES:

INSTRUCTIONS:

ARTIST NOTE: Scale is everything with this finish. For example, on a focus wall, the scale should be quite large, versus on an art canvas. So adjust the size of the brushes and the pattern accordingly.

1 | Roll on 2 coats of primer. Let dry between coats.

2 | Mix basecoat paint: 3 parts Moody, 6 parts Bright Silver
and 1 part Reflection. Roll on 2 coats. Let dry between coats.
(Photo 1)

3 | Handpaint tree “shadows” with the color Moody, using a flat artist brush. Let dry.
(Photo 2)

Tip: You can run an image search for your subject matter along with the word ‘shadow’ for visual inspiration and reference.

4 | Use an old stencil brush to artfully tap on WundaSize along most of your painted shadows, but not quite over them. You want the shadows to show, enhancing the dimension of your artistry. Let come to tack.
(Photo 3)

5 | Lay gold leaf on top of the WundaSize. Use a soft brush to brush away the excess. Ball up a piece of wax paper, then rub it in circles over the leaf to burnish.
(Photos 4-5)

6 | (OPTIONAL) – Roll on a coat of Clear Topcoat Satin with a foam roller. This will add an extra layer of protection against tarnishing and oxidation of the leaf. Here is the final finish.
(Photo 6)

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About the Artist
Debbie Hayes earned a BA in Fine Arts, concentrating on painting, and has spent 95% of her career as a full-time artist. She is a book illustrator, graphic artist, art director, photographer, stylist, website designer, writer, faux finisher for 20 years, and DIY tutorial blogger. Many decorative painters know her from events like the annual ArtFusion Event and IDAL Decorative Artisans League where she has been an instructor, teaching various faux finishing techniques using the products and stencils she loves most.

More from this artist

Looking for more inspiration? Click here to view all of the decorative finishes from our Limited Edition Collections.